美妙的一天，晚安 On a eu la journée, bonsoir認(rèn)領(lǐng)

A love song for the dead, We Had the Day Bonsoir reaches beyond mourning and eulogy – towards something eternal. With fragments of intimate documentary sound and film, Narimane Mari captures a vivid yet oblique portrait of her late partner, the painter Michel Haas. It's an ode to a specific life through the eyes and ears of his lover, but also to life itself. Through her eyes, ...