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阿姆麗塔·謝爾吉爾,Amrita Sher-Gil(1913年1月30日至1941年12月5日)是匈牙利-印度畫家。她被稱為“ 20世紀初期最偉大的前衛(wèi)女性藝術(shù)家之一”,也是現(xiàn)代印度藝術(shù)的“先鋒”。阿姆麗塔·謝爾吉爾從小就開始繪畫,八歲那年開始接受藝術(shù)方面的正式課程。她的油畫作品名為《年輕女孩》,在19歲時獲得了認可。阿姆麗塔·謝爾吉爾一生中曾游歷過多個國家,包括土耳其,法國和印度,這些國家很大程度上源于前殖民時期印度的藝術(shù)風格及其當下的文化。阿姆麗塔·謝爾吉爾被認為是20世紀印度的重要畫家,她的遺產(chǎn)與孟加拉文藝復興時期的先驅(qū)者的遺產(chǎn)處于同一水平。她還是一位狂熱的讀者和鋼琴家。
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阿姆麗塔·謝爾吉爾,Amrita Sher-Gil(1913年1月30日至1941年12月5日)是匈牙利-印度畫家。她被稱為“ 20世紀初期最偉大的前衛(wèi)女性藝術(shù)家之一”,也是現(xiàn)代印度藝術(shù)的“先鋒”。阿姆麗塔·謝爾吉爾從小就開始繪畫,八歲那年開始接受藝術(shù)方面的正式課程。她的油畫作品名為《年輕女孩》,在19歲時獲得了認可。阿姆麗塔·謝爾吉爾一生中曾游歷過多個國家,包括土耳其,法國和印度,這些國家很大程度上源于前殖民時期印度的藝術(shù)風格及其當下的文化。阿姆麗塔·謝爾吉爾被認為是20世紀印度的重要畫家,她的遺產(chǎn)與孟加拉文藝復興時期的先驅(qū)者的遺產(chǎn)處于同一水平。她還是一位狂熱的讀者和鋼琴家。
影視作品
希爾婦女
兩個女人
未知的標題
簡易床上的女人
講故事的老人
部落的婦女
梵行期
童養(yǎng)媳
三個女孩
Three Girls is a painting by Amrita Sher-Gil, an Indian artist. It was painted in 1935; the first work to be painted by Sher-Gil after returning to India from Europe in 1934. Sometimes referred to as Group of Three Girls, the painting won the Gold Medal at the annual exhibition of the Bombay Art Society in 1937. The painting was part of a batch sent to Nawab Salar Jang of Hyderabad who later rejected them all.The painting shows three colourfully dressed women contemplating a destiny they are unable to change. Amrita Sher-Gil did not sensualise her women but instead portrayed them as facing great adversity yet having the spirit to transcend a destiny that they were unable to change. Sher-Gil wrote: "I realized my real artistic mission, to interpret the life of Indians and particularly the poor Indians pictorially; to paint those silent images of infinite submission and patience,... to reproduce on canvas the impression those sad eyes created on me."The painting reflects the influence of the works of French painter Paul Gauguin on Sher-Gil's work. It also marks Sher-Gil's move from an earlier academic and realist style of painting that she had learned in Paris towards a flatter style with modern compositions, where line and colour are prominently used. In Three Girls, the girls' surrounding is not shown. Their situation is made evident through their facial expressions, their body language, and the skillful use of tones.
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