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羅伯特·巴里(Robert Barry ,生于1936年3月9日)是美國藝術(shù)家。羅伯特·巴里的工作著重于逃避藝術(shù)品的先前已知的物理限制,以表達(dá)未知或無法感知的事物。因此,巴里探索了許多不同的途徑來定義物體周圍通??床灰姷目臻g,而不是制造物體本身。1968年,羅伯特·巴里曾說過:“在我看來,沒有什么東西是世界上最有力的東西?!?/div>
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羅伯特·巴里(Robert Barry ,生于1936年3月9日)是美國藝術(shù)家。羅伯特·巴里的工作著重于逃避藝術(shù)品的先前已知的物理限制,以表達(dá)未知或無法感知的事物。因此,巴里探索了許多不同的途徑來定義物體周圍通常看不見的空間,而不是制造物體本身。1968年,羅伯特·巴里曾說過:“在我看來,沒有什么東西是世界上最有力的東西?!?/div>
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墻上作品習(xí)作
需要生存的東西
沒有什么事情是永遠(yuǎn)的
藍(lán)色十字
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?I use words because they speak out to the viewer. Words come from us. We can relate to them. they bridge the gap between the viewer and the piece.? (Robert Barry) Words are essential elements in Barry’s work. They evoke in the viewer a state of contemplation and personal experience. Series of installations exhibited in 2009 at Galerie Greta Meert.
關(guān)閉的畫廊
Closed Gallery is a 1969 piece consisting of three invitations to gallery shows in Amsterdam, Turin, and Los Angeles printed on simple white cards. They informed the recipients that during the exhibition, the gallery would be closed. “It’s the purest form of this notion of what the physicality of art is and what art is really all about. One doesn’t need to even have the gallery space", said David Platzker, who sent out numerous announcement cards worldwide, each saying simply “During the exhibition the gallery will be closed”. “I got permission from Robert [Barry] to do the show,” Platzker said. “I asked him if he would lend me copies of the three prior announcement cards and he said, ‘Why would you want them? There is no show. I don’t want people to come to the gallery because the gallery is closed.’
帶有字符的藍(lán)鏡壁板
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