弗蘭克·斯特拉全部影視作品
首發(fā)于 qinglite.cn，統(tǒng)計(jì)截止日：2026-01-23
 碎片變體 | - |
| 懶惰的科學(xué)（懶惰科學(xué)） | - |
| 天鵝雕刻圈II，國家III | - |
| 黃色雜志 | - |
| 埃斯托利爾五II，來自電路系列 | - |
| 碎片 | - |
| 來自電路系列的塔拉德加三II | - |
| 綠色接龍 | - |
| 塔列加德 | - |
| 卡拉瓜達(dá)盧佩島 | - |
| 不可接近的島嶼鐵路 | - |
| 愛斯基摩鷸 | - |
| 朱菲·拉貝雷塔·羅薩二世州 | - |
| 在我的口袋里跳來跳去 | - |
| 圣者，上帝保佑…… | - |
| 月亮，小偷與守衛(wèi) | - |
| 屠夫來宰牛 | - |
| 壽貝吉 | The present piece is part of Stella's Indian Bird series, in which the artist further expanded the category of "painting." Stella deployed painted curlicue aluminum forms that jut out into the viewer's space - increasing the works' object-like nature and diminishing their appearance as paintings hanging on a wall. Stella's use of assembled parts and three-dimensional elements notwithstanding, he still regarded the Indian Bird series - at the time his most sculptural work - as consisting of paintings or painted reliefs. Seen by some at the time as "disco-like," the series' garishly colorful palette - produced by adhering particles of metal shaving or ground glass to a first layer of color, which were then painted or stained over - was also new to his oeuvre. Stella began the series during his 1977 stay in Ahmedabad, naming the individual works after birds found on the Indian subcontinent. |
| 飛馬三雙 | - |
| 波浪一：哈克！ | - |
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