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        Lydia Zimmermann Lydia Zimmermann

        聯(lián)合創(chuàng)作 · 2023-11-04 05:17

        Best known for her directorial debut Aro Tolbukhin. En la mente del asesino (2002), codirected with Agustí Villaronga and Isaac Pierre Marcel Racine,[12] in which she also had an uncredited cameo and for which she appeared, together with Racine and Villaronga, on Versión espa?ola, directed by Félix Pi?uela and broadcast by Televisión Espa?ola, on 1 April 2005 and on Sala 33, directed by àlex Gorina i Macià and broadcast by TV3, on 18 December 2010,[13] Zimmermann has also, among other activities, played the role of a caregiver in Agustí Villaronga's film Moon Child (1989), her acting debut, as well as the roles of a mourner in Antoni Aloy's 1999 film adaptation of the 1898 Henry James novella The Turn of the Screw titled Presence of Mind, a mother in Gemma Ventura's 2009 short film about Carl Jung The Jung Files and once again in the 2010 film Elisa K, directed by Jordi Cadena i Casanovas and Judith Colell, in which she appeares among the acknowledged, and of Ana de Pombo in Agustí Villaronga's 2013 television series Carta a Eva broadcast by La 1.[14] She appeared on 27 November 2014 on the television program àrtic broadcast by Betevé. She codirected with Agustí Villaronga a television documentary titled Fe about and broadcast by RTVE as part of the series 50 a?os de on 10 December 2009 and worked as a camera operator during the production of Mariano Barroso's 1994 film Mi hermano del alma and the 2011 film Barcelona, abans que el temps ho esborri directed by Mireia Ros.[15] Her video art, dealing with topics ranging from Andrei Tarkovsky's 1966 film Andrei Rublev, Blanca Portillo's incarnation of Mary during a stage adaptation of Colm Tóibín 2012 novel The Testament of Mary directed by Agustí Villaronga, the Cercle Artístic de Sant Lluc, and fashion designer Jesús del Pozo to Théodore Géricault's 1818–1819 painting The Raft of the Medusa as well as his other work, a 2012 homage to Maria Mercè Mar?al titled Ferida arrel: Maria-Mercè Mar?al and the personas of Elisab

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